Fall out boy american beauty american psycho

Fall out boy american beauty american psycho

Перевод песни American Beauty/American Psycho (Fall Out Boy)

American Beauty/American Psycho

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Fall out boy american beauty american psycho. print. Fall out boy american beauty american psycho фото. Fall out boy american beauty american psycho-print. картинка Fall out boy american beauty american psycho. картинка print. She's an American beauty I'm an American psycho She's an American beauty I'm an American, I'm an American American Psycho I'm an American, I'm an American I'm, I'm, I'm an American psycho Fall out boy american beauty american psycho. f bigger. Fall out boy american beauty american psycho фото. Fall out boy american beauty american psycho-f bigger. картинка Fall out boy american beauty american psycho. картинка f bigger. She's an American beauty I'm an American psycho She's an American beauty I'm an American, I'm an American American Psycho I'm an American, I'm an American I'm, I'm, I'm an American psycho Fall out boy american beauty american psycho. f smaller. Fall out boy american beauty american psycho фото. Fall out boy american beauty american psycho-f smaller. картинка Fall out boy american beauty american psycho. картинка f smaller. She's an American beauty I'm an American psycho She's an American beauty I'm an American, I'm an American American Psycho I'm an American, I'm an American I'm, I'm, I'm an American psycho

Американская красавица/американский психопат

She’s an American beauty
I’m an American psycho
She’s an American beauty
I’m an American, I’m an American
American Psycho
I’m an American, I’m an American
I’m, I’m, I’m an American psycho

I think I fell in love again
Maybe I just took too much
cough medicine
I’m the best worst thing
that hasn’t happened to you yet
The best worst thing

You take the full, full truth, then you pour some out
You take the full, full truth, then you pour some out
And you can kill me, kill me
or let God sort ’em out
And you can kill me, kill me or

She’s an American beauty
I’m an American psycho
She’s an American beauty
I’m an American, I’m an American
American Psycho
I’m an American, I’m an American
I’m, I’m, I’m an American psycho

I wish I dreamt in the shape of your mouth
But it’s your thread count
I really care about
Stay up ’til the lights go out
Stay up, stay up

You take the full, full truth, then you pour some out
You take the full, full truth, then you pour some out
And as we’re drifting off to sleep
All those dirty thoughts of me
They were never yours to keep

She’s an American beauty
I’m an American psycho
She’s an American beauty
I’m an American, I’m an American
American Psycho
I’m an American, I’m an American
I’m, I’m, I’m an American psycho

Она — американская красавица,
А я — американский психопат.
Она — американская красавица,
А я — американский,
Американский психопат.
Я — американский,
Я — американский психопат.

Кажется, я снова влюбился,
Или, может, просто принял слишком много
лекарства от кашля.
Я — лучшее из худшего,
что с тобой пока ещё не случилось,
Лучшее из худшего.

Она — американская красавица,
А я — американский психопат.
Она — американская красавица,
А я — американский,
Американский психопат.
Я — американский,
Я — американский психопат.

Хотелось бы мне мечтать о форме твоих губ,
Но на самом деле меня заботит только
плотность твоей ткани.
Не спи, пока не погаснет свет!
Не спи, не спи!

Ты берёшь всю правду и расплёскиваешь её,
Ты берёшь всю правду и расплёскиваешь её.
И пока нас уносит в сон,
Эти мои грязные мысли,
Не тебе их хранить

Она — американская красавица,
А я — американский психопат.
Она — американская красавица,
А я — американский,
Американский психопат.
Я — американский,
Я — американский психопат.

Источник

American Beauty/American Psycho (album)

American Beauty / American Psycho
by Fall Out Boy

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General information

Release Date

Recorded

Genre

Length

Label

Producer(s)

Singles

Chronology

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PAX AM Days
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American Beauty / American Psycho
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Make America Psycho Again

American Beauty/American Psycho (sometimes abbreviated as AB/AP) is the sixth studio album by American rock band Fall Out Boy, released on January 16, 2015 through Island Records as the follow-up to the band’s comeback album Save Rock and Roll (2013). The band wrote music while on tour with Paramore mid-2014 and it developed into a new album. The album’s release was preceded by the 4× Platinum top 10 lead single «Centuries», released September 9, 2014 while the album was still being completed. The album’s title track was released as the second single in the UK on December 15, 2014, receiving a radio premiere a month before on November 24, 2014. American Beauty/American Psycho debuted at No. 1 on the US Billboard 200 album chart, selling 218,000 equivalent copies in its first week alone and becoming the band’s third No. 1 album, later being certified gold UK and Canada. On March 1, 2016, the album was certified platinum in the US after selling 1 million units.

In support of the record, Fall Out Boy played at Soundwave in Australia, made TV appearances, and have embarked two concert tours: the American Beauty/American Psycho Tour and the Wintour. On October 30, a remix album entitled Make America Psycho Again was released with a different rapper on each song, which drew in over 13,000 equivalent copies in its debut week.

Contents

Background and Recording [ ]

Fall Out Boy began writing for their sixth studio album in the summer of 2014 while still promoting their previous release Save Rock and Roll (2013) on the Monumentour concert tour with fellow American band Paramore. Recording began soon after, with the track «Centuries» being the first songs to be written and recorded. By late November, all the songs were written and the album was 80% complete but still needed finishing. While making their previous album, the band was just beginning to realise that music recording methods have differed since their hiatus, but have fully embraced the changes for recording American Beauty/American Psycho. Producer Jake Sinclair made the band realise that parts recorded as demos on laptops are able to make it to the final product.

Since the release of «Centuries», the band stated that the album could be released as early as «early 2015». Regarding its sound, bassist Pete Wentz described the new material as «David versus Goliath», as Wentz stated: «[Brian Hiatt] tweeted[,] “[The] problem with modern rock is it [isn’t modern,]” something [I] and we had been feeling in general. [Rock] should not be relegated to a quaint little corner of guitar center for dads to find. [In] reaching out to SebastiAn we wanted to make something that was a throwback instead futuristic.» According to Patrick Stump, «All I can say is, some people will love it. Some people will hate it. The four of us like it a lot, so we’re happy».

Composition [ ]

Music [ ]

The band felt influences from playing with different artists and expanded on boundaries further than Save Rock and Roll did. Stump’s goal was to make a more stylistically cohesive album than Save Rock and Roll, «where you pick any track and it sounds like it’s from the same album». He wanted an album that «understood what it was the whole time». Meanwhile, Wentz was focused on making rock music relevant to pop culture (and thus requiring radio play) that could also be played in big venues; maintaining their legacy as a «big currently relevant rock band.» Wentz said, «Rock ’n’ roll is this progressive idea, [with] room to be dangerous and futuristic. To think it’s this idea that has to be set in stone is just, like, making it not only not dangerous but this quaint little thing. It’s not what it is to me. To fence yourself into this little area and chain yourself to the doghouse has never been what I thought rock music was.» Guitarist Joe Trohman said of the album, «Musically, it has hip-hop grooves with guitars on it,» with «more in your face guitar than Save Rock and Roll«. In an industry increasingly focused on singles, Stump still regards the music album as an important form of art—»I put a ton of thought into this new record, making sure it was an experience where the running order matters and the keys and tempo and everything. It all matters to me because records still matter to me.»

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Lyrics [ ]

The band’s primary lyricist, Wentz felt that had «more perspective» on his personal life to write more about it. «The idea behind some of the songs is addressing modern love or what’s going on with my head and my life [more] than Save Rock and Roll did. I think Save Rock and Roll was a little more broader when it came to that.» «Centuries» was written with the aim to inspire. Some topical issues including the 2014 Ferguson unrest are addressed. Wentz stated, «as an artist that has a platform, there’s certain things that if you believe, you should say.» However, he restated that Fall Out Boy is not a political band.

Title [ ]

The «American Beauty» half of the album’s title comes from the album by the Grateful Dead and the 1999 film. The «American Psycho» half references the book by Bret Easton Ellis and the subsequent 2000 film.

Promotion [ ]

TV Performances [ ]

On November 24, 2014, the band announced the album’s title and release details for January 20, 2015. Fall Out Boy performed «Centuries» live for the first time on Jimmy Kimmel Live! on September 17, 2014. They next played it on The Ellen DeGeneres Show with Suzanne Vega as a special guest on October 29, 2014. The band performed «Centuries» on The Voice‘s season finale with contestant Matt McAndrew in December 2014. The band also performed «Centuries» at the People’s Choice Awards on January 7, 2015, which Billboard called the «most memorable» performance of the night. To begin their album release week television blitz, the band played «Centuries» on the morning The Today Show and again on the late night talk show The Tonight Show Starring Jimmy Fallon on 21 January. A guest appearance on the morning talk show Live! with Kelly and Michael was televised on January 23. On January 25, 2015 they performed «My Songs Know What You Did in the Dark (Light Em Up)» and «Centuries» at the National Hockey League All-Star Game exhibition event. A performance for troops at Luke Air Force Base as a pre-Super Bowl event was set for January 30 to air live on VH1. Fall Out Boy starred in a Pepsi TV ad which aired during the 57th Grammy Awards, performing «Uma Thurman» in record-pressing plant. Fall Out Boy performed «Centuries» and «My Songs Know What You Did in the Dark (Light Em Up)» on CBS’s The Talk on March 12 and it aired in Australia on March 29. In early April the band performed «Immortals» on Japanese TV show Sukkiri!! ( スッキリ!!). Fall Out Boy will be the first inductees to the «Hall of Wood» at the 2015 MtvU Woodie Awards and will also perform. They had won the Streaming Woodie award for «Grand Theft Autumn/Where Is Your Boy» at the first ceremony in 2004.

Tours [ ]

Main articles: American Beauty/American Psycho Tour and Wintour

The band played several shows in support of the record, such as at the Soundwave in Australia and a headlining performance in a stadium at RodeoHouston. Moreover, the band planned a world tour, consisting of more than 50 dates across North America and Europe. The American leg will be co-headlining with American rapper Wiz Khalifa under the name The Boys of Zummer.

Singles [ ]

«Centuries» was released as the album’s lead single on September 8, 2014 and peaked at No. 10 on the Billboard Hot 100 chart in its 20th week. It reached No. 13 on Mainstream Top 40 and No. 4 on Alternative Songs as a crossover success. A gladiator-style music video directed by Syndrome was later released on October 14, 2014 and features a cameo from American rapper Rick Ross.

The title track premiered on BBC Radio 1 on November 24, 2014 and released a month later on December 15, 2014 as the album’s second UK single. Its music video also premiered the same day. «Uma Thurman» was released to United States modern rock radio as the album’s third single week ending February 10, 2015. On January 12, it was released for digital download as the third promotional song and overall the fifth preceding American Beauty/American Psycho, and reached the top position on iTunes. «Irresistible» was released as the third UK single, and its music video was released on February 19, 2015.

Other Songs [ ]

«Immortals» was released on October 14, 2014 and is featured in the 2014 Walt Disney Animation Studios film Big Hero 6. Disney asked the band to write and perform the song for the film’s sequence in which the Big Hero 6 team is transformed from a group of super smart individuals to a band of high-tech heroes. An alternative version is featured on the album.

As part of a pre-order deal on iTunes, the song «The Kids Aren’t Alright» was additionally released as a promotional single on December 15, 2014. The full album track listing and artwork was also revealed with the preorder. Two additional digital songs were announced for January 5 and January 12 respectively. The first, «Irresistible», immediately debuted at No. 1 on iTunes. It has been described as a «booming, brass-backed anthem.»

On January 13, 2015, all the unreleased songs from the album were streamed onto the band’s Vevo channel.

Reception [ ]

Commercial Performance [ ]

American Beauty/American Psycho debuted at No. 1 on the US Billboard 200 with 192,000 first week sales and 218,000 equivalent album units. It became Fall Out Boy’s third No. 1 album and second highest sales week behind Infinity on High’s 260,000 debut. 204,000 individual song sales and almost 9 million streams made up AB/AP‘s 26,000 non-album equivalent units. A week before the album’s release, forecasters predicted that it would sell 150,000 copies in its opening week, before being upgraded to 175,000-200,000 days later due to estimates that the album would strongly reach 100,000 digital preorders at the time of release. After 1.5 days of sales, Billboard predicted that first week album sales could reach 190,000, with over 220,000 in equivalent album units. In its second week, it fell to No. 6 with 55,000 equivalent album units, a 75% decline. It dropped to No. 13 in its third week and has spent twenty-four weeks in the top 20. The album was certified Gold by the RIAA on September 18, 2015, and Platinum on February 24, 2016. As of October 2015, the album has sold 572,000 copies in the US.

In Canada, American Beauty/American Psycho also debuted at No. 1 with 14,000 first week sales, becoming the band’s second Canadian No. 1 and fourth Canadian top 10. On March 24, 2015, it was certified Gold in Canada for 40,000 shipments. The album debuted at No. 4 on the Official New Zealand Music Chart. In Australia, it debuted at No. 3 behind Mark Ronson, whose Uptown Special debuted at No. 2, while Taylor Swift’s 1989 reigned at No. 1. The record became the band’s fourth consecutive top 10 in Australia. American Beauty/American Psycho was also in a close sales race to the top position against Mark Ronson on the UK Albums Chart and led by 1500 copies mid-week, but fell short by the end of the tracking week to debut at No. 2 with 31,497 first week sales (1883 units behind No. 1). However, it made No. 1 on the UK Albums Download Chart. On June 8, 2015, it was certified Gold by the British Phonographic Industry for 100,000 copies shipped. The album saw a No. 6 debut in Ireland.

Critical Response [ ]

American Beauty/American Psycho received mostly positive reviews upon its release. The aggregate review site Metacritic gave the album a 72 out of 100 based on 15 reviews. Kyle Anderson of Entertainment Weeklygave it an A, commending the band for being able to make «big-venue sing-alongs that also reward deep headphone analysis.» He appreciated the tracks «Favorite Record» and «Fourth of July», stating that they are «thrillingly layered.» Evan Lucy of Alternative Press gave the album 4 stars out of 5, mentioning the heavy sampling in some of the album’s songs: «The more interesting aspect of American Beauty/American Psycho is the band’s newfound emphasis on samples,» calling the band as a whole «newly reinvented.» He goes on to praise Stump’s vocals, Wentz’s lyrics, and states that «Fall Out Boy are currently producing some of the most interesting music of their career.» Caroline Sullivan of The Guardian gave an equally positive review, awarding the album 4 stars out of 5. She praised the band’s «nervy ambition» on the album and called it «one of their better releases.» Annie Zaleski of The A.V. Club also gave the album a positive review. She wrote that «American Beauty/American Psycho’s playful musical vibe masks lyrics plagued by flashbulb memories of failed relationships and ill-fated romantic dalliances. Thankfully, there’s no self-pity in sight on these songs, only heightened self-awareness.» The Los Angeles Times was also highly positive while commenting negatively on the second half of the album. «The result, at least for the first half, is almost comically exciting, one fist-pump adrenaline rush after another. Alas, Stump and his bandmates run out of steam by the end of American Beauty/American Psycho.» AllMusic was also fairly positive. «Fall Out Boy have taken great efforts to incorporate whatever was happening on the charts, an inclination that isn’t quite as necessary in the great digital disassociation of the 2010s, yet this inclination does give American Beauty/American Psycho a bit of a kinetic kick.» «Uma Thurman» has often been identified as the centrepiece of the album.

On the other hand, Collin Brennan of Consequence of Sound gave a more mixed review. He felt that the album lacked direction, stating that «Fall Out Boy loses its way more often than not in its latest stab at rock radio dominance.» He furthermore opined that the songwriting was lacking as a result of the album’s heavy use of samples. Caryn Ganz of Rolling Stone also gave a mixed review. » Joe Trohman and drummer Andy Hurley’s most virtuosic playing is buried under blaring production, reducing what might be Metallica-heavy riffage into background buzz.» However, the reviewer had some positive comments as well: «When everything connects – like on the single «Centuries» – FOB are a glorious nexus of Seventies glitter rock, Eighties radio pop, Nineties R&B and Aughts electro stomp.» The album was ranked at number 5 in Alternative Press‘s «10 Essential Records of 2015» list. Cassie Whitt ofAlternative Press wrote that the band pushed their fan base with «rock songs structured like hip-hop tracks». The album was ranked at number 26 on AbsolutePunk’s top albums of 2015 list.

Источник

Когда в 2013 году Fall Out Boy спасали рок-н-ролл (выпустив альбом Save Rock and Roll), а позднее Джин Симмонс заявил: «рок мертв», казалось, что эта группа просто обязана завершить свою карьеру, а нет, ребята не сдались. Есть еще много музыкальных жанров, которые нужно «спасти». Какое именно стилевое направлении музыки ребята решили спасти своей пластинкой American Beauty / American Psycho трудно понять, но что-то после прослушивания этого диска точно умирает.

Судя по первым песням (особенно это касается титульной «American Beauty / American Psycho»), где гитара звучит так словно из нее лобзиком делают щепки, группа собирается и дальше бессмысленно и беспощадно сражать человечество своими творческими выкидышами. Их уже ничто не остановит, точка не возврата пройдена, мосты сожжены.

Разумеется, то что делают Fall Out Boy не похоже на рок-музыку в привычном смысле этого слова, впрочем и в любых других смыслах тоже. Поэтому для оценки их творчества нужно менять принципы оценочного суждения, представив, что American Beauty / American Psycho это не музыкальный альбом, а коврик для ног. Я к сожалению не очень силен в этой области, поскольку рецензии про коврики для ног никогда не писал. Поэтому даже не знаю с чего начать.

Ну наверно с того, что основную свою функцию этот коврик не выполняет, поскольку он грязный и если вытирать об него ноги, то только испачкаете подошвы ботинок, причем даже если вы пятью минутами ранее топтали говно, то все равно испачкаетесь. Так уж получилось, что на коврике American Beauty / American Psycho скопилась что-то похуже всего того, во что вляпывалось человечество последние пару тысяч лет.

Очевидно, Fall Out Boy, как и многие современные группы, предпочитают форму содержанию. Я имею в виду, что они берут кусок говна и полируют его, придавая ему презентабельный вид, но не более того. Так было и с прошлой работой, от которой я до сих пор отойти не могу. Пластинку American Beauty / American Psycho опасно слушать даже под наркозом, потому что вы из него уже не выйдете. Да, это кома. Так что Fall Out Boy превзошли себя, повергнув музыкальное искусство в такой шок, что теперь его нужно реанимировать.

Источник

American Beauty/American Psycho (song)

Fall out boy american beauty american psycho. Ab. Fall out boy american beauty american psycho фото. Fall out boy american beauty american psycho-Ab. картинка Fall out boy american beauty american psycho. картинка Ab. She's an American beauty I'm an American psycho She's an American beauty I'm an American, I'm an American American Psycho I'm an American, I'm an American I'm, I'm, I'm an American psycho

Single InfoFrom the AlbumAmerican Beauty/American PsychoReleasedDecember 15, 2014Recorded2014FormatDigital download, CDGenrePop punkLength3:13LabelIsland Records, DCD2 RecordsProducerSebastiAnWriter(s)Patrick Stump, Pete Wentz, Joe Trohman, Andy HurleyAlbum TracksPrevious
(1)
«Irresistible»This Track
(2)
«American Beauty/American Psycho»Next
(3)
«Centuries»Singles TimelinePrevious
«Immortals»
(2014)
This Single
«American Beauty/American Psycho»Next
«Uma Thurman»
(2015)

«American Beauty/American Psycho» is a song by the Americanrock band Fall Out Boy. It was released on December 15, 2014, as the second UK radio single from their sixth studio album, American Beauty/American Psycho (2015). An accompanying music video was released. It was no. 15 on the Billboard Hot Rock Songs chart. A remix of the song features vocals by ASAP Ferg which was included in the remixed album Make America Psycho Again.

Contents

Recording [ ]

«American Beauty/American Psycho» was written by Fall Out Boy and produced by SebastiAn. Bassist Pete Wentz commented, «It’s a little bit wrong but it’s the right thing for us to do. Once we got that song and a few others, it really felt like the [album] came together as a body of work.» It samples Motley Crüe’s song «Too Fast for Love». The song is vocalist and guitarist Patrick Stump’s favorite track from American Beauty/American Psycho; he stated, «It’s the right level of artistically interesting, but also just fun.»

Release [ ]

While receiving a radio premiere in the UK a month earlier, the track was officially released worldwide on the same day as the promotional single «The Kids Aren’t Alright», to coincide with the release of the album pre-order, track listing and album cover. Only in the UK, it was commissioned to radio as the album’s second single.

Music Video [ ]

The song’s accompanying music video was released on the same day, featuring a ballerina and a peculiar child, Jake Karlen (who is on the album cover), with his face with American flag painted in black. Filmed with a gritty, shaky cinematography, the ballerina represents the «American Beauty» but is really the «American Psycho» and the boy represents the «Psycho» but is really the «Beauty». In the beginning the boy tries to destroy a music box with a ballerina in it, but he is unable to break it. The ballerina dances for a while before a group of men appear (the men possibly representing the boy’s trouble (e.g. depression, anxiety, etc.) and issues). The ballerina gracefully takes down each man, hurting the boy who eventually starts spitting up blood. In the end the members of the band come in to remove the bodies. Before the screen fades, another boy can be seen coming to the same music box, representing a repeated cycle.

Commercial performance [ ]

The song debuted at No. 147 on the UK Singles Chart, reached No. 89 in its third chart week (week ending January 24, 2015) and peaked at No. 61 the week after. It also debuted at No. 15 on US Hot Rock Songs on the strength of digital downloads.

Charts [ ]

Belgium (Ultratip Flanders)83UK Singles (Official Charts Company)61US Hot Rock Songs (Billboard)15

Lyrics [ ]

She’s an American beauty, I’m an American psycho
She’s an American beauty, I’m an American
I’m an American, American psycho
Woah, woah, woah
I’m an American, I’m an American
I’m, I’m, I’m an American psycho

I think I, I fell in love again
Maybe I just took too much cough medicine
I’m the best worst thing that hasn’t happened to you yet
The best worst thing, woah
You take the full, full truth then you pour some out
You take the full, full truth then you pour some out
And you can kill me, kill me or let God sort ’em out
Kill me, kill me, oh woah

She’s an American beauty, I’m an American psycho
She’s an American beauty, I’m an American
I’m an American, American psycho
Woah, woah, woah
I’m an American, I’m an American
I’m, I’m, I’m an American psycho
Woah, woah, woah
I’m an American, I’m an American
I’m, I’m, I’m an American psycho

I wish I dreamt in the shape of your mouth
But it’s your thread count I really care about
Stay up ’til the lights go out
Stay up, stay up woah
You take the full, full truth then you pour some out
You take the full, full truth then you pour some out
And as we’re drifting off to sleep, all those dirty thoughts of me
They were never yours to keep, keep, woah

She’s an American beauty, I’m an American psycho
She’s an American beauty, I’m an American
I’m an American, American psycho
Woah, woah, woah
I’m an American, I’m an American
I’m, I’m, I’m an American psycho
Woah, woah, woah
I’m an American, I’m an American, I’m an American psycho
I’m an American, I’m an American
I’m, I’m, I’m an American psycho

Источник

«American Beauty / American Psycho» lyrics

Fall Out Boy Lyrics

«American Beauty / American Psycho»

She’s an American beauty
I’m an American psycho
She’s an American beauty
I’m an American
I’m an American
American Psycho
I’m an American
I’m an American
I’m, I’m, I’m an American psycho

I think I fell in love again
Maybe I just took too much cough medicine
I’m the best worst thing that hasn’t happened to you yet
The best worst thing
You take the full, full truth, then you pour some out
You take the full, full truth, then you pour some out
And you can kill me, kill me or let God sort ’em out
And you can kill me, kill me or. whoa

She’s an American beauty
I’m an American psycho
She’s an American beauty
I’m an American
I’m an American
American Psycho
I’m an American
I’m an American
I’m, I’m, I’m an American psycho

I wish I dreamt in the shape of your mouth
But it’s your thread count I really care about
Stay up ’til the lights go out
Stay up, Stay up
You take the full, full truth, then you pour some out
You take the full, full truth, then you pour some out
And as we’re drifting off to sleep
All those dirty thoughts of me
They were never yours to keep, keep, whoa

She’s an American beauty
I’m an American psycho
She’s an American beauty
I’m an American
I’m an American
American Psycho
I’m an American
I’m an American
I’m, I’m, I’m an American psycho

Источник

Архивный блог Моденова

Архивный блог Владимира Моденова. Переходите и читайте мой новый бложик на платформе «Эгея». Адрес простой — Моденов.ру.

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Герои статьи: Fall Out Boy
Официальный сайт: http://www.falloutboyrock.com/

Вердикт: слабая, примитивная, отжившая свой век попсовая музыка. Принимая в расчёт предыдущую пластинку – это еще и топтание на месте. Если парни захотели уйти от привычного панковского звучания, то выбрали поворот не туда. Если пойти на это их вынудил лэйбл, то гнать в шею нужно такой лэйбл и записывать нормальную музыку самостоятельно, расти над собой и собственным мастерством, нежели расти большим и жирным прыщом на уродливом теле попсовой коммерческой музыки.

Моя оценка: 1 / 5
Бал за трек «Uma Thurman»

Источник

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American Beauty/American Psycho

Американская красавица/Американский психопат

She’s an American beauty

Она — американская красавица,

I’m an American psycho

А я — американский психопат.

She’s an American beauty

Она — американская красавица,

I’m, I’m, I’m an American psycho

I think I fell in love again

Кажется, я снова влюбился.

Maybe I just took too much cough medicine

А, может, я просто принял слишком много лекарства от кашля.

I’m the best worst thing that hasn’t happened to you yet

Я — лучшее из худшего, что с тобой когда-либо случалось.

The best worst thing

You take the full, full truth, then you pour some out

Тебе даётся вся правда, а ты расплёскиваешь её.

You take the full, full truth, then you pour some out

Тебе даётся вся правда, а ты расплёскиваешь её.

Источник

Рецензия на Fall Out Boy – American Beauty/American Psycho (2015)

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Не смешивай красоту и психику, американец.

10 лет назад у Fall Out Boy (далее FOB) вышел альбом «From Under the Cork Tree», который успешно влился в основной поток поп-панка. Тогда симпатичные и дерзкие парни радовали фанатов чуть ли не каждым клипом, а их музыка не давала покоя: под забойный ритм композиций, например,«Dance, Dance» или «Of All the Gin Joints in All the World» хотелось безостановочно петь и танцевать, потрясывая на тот период времени модным и прямыми челками. Прошло время, парни немного приутихли. Но между фестивальными выступлениями и огромными турами, записями с Райаном Адамсом и написанием саундтрека к блокбастеру Disney FOB были полны решимости, чтобы сохранить рок-н-ролл в собственном соку.

Перейдем непосредственно к новому шестому альбому «American Beauty/American Psycho». На обложке пластинки изображен парень, на лице которого нарисован флаг США в черно-белых цветах. Сам коллектив прокомментировал на своем официальном сайте изображение так: «Люди чувствуют себя постоянными и непостоянными в одно и то же время. Эта фотография предназначена для того, чтобы показать, как перекликаются между собой американская красота и американский психопат, то, что бушует внутри всех нас. Мы можем поменяться, но хотим ли мы этого? Активировать себя, защищать свои мечты или просто разбиться, ведь без трещин свет не может выйти наружу».

«Американская красота/Американский Психопат» это стремление к возрождению интереса к самим FOB, ведь не поменяй они звук сейчас – едва ли остались бы на плаву. Вот к примеру сингл «Centures»очень напоминает композицию»Animals» Maroon 5. Да, это уже не рок-н-ролл, а самая настоящая поп-музыка. Но это не помешало новой композиции попасть на первую строчку чарта UK Rock and Metal. Инструментарий остался все тот же: гитары, бас, оглушающий вокал Патрика Стампа, барабаны, но все это вместе приправлено электронными сэмплами. По всей видимости, это универсальный способ омоложения звука. Альбом рассказывает слушателю о состоянии влюбленности и собственных убеждениях артистов – это похоже на записи из подросткового дневника:

«I think I fell in love again
Maybe I just took too much cough medicine» («American Beauty/American Psycho»);

I’m not passive, but aggressive
Take note, it’s not impressive
Empty your sadness
Like you’re dumping your purse on my bedroom floor («Kids Aren’t Alright»);

I’m just a problem that doesn’t want to be solved
So could you please hold your applause
Take this sideshow and all its freaks
And turn it into the silver screen dream

Singing I am your worst, I am your worst nightmare
I am your worst, I am your worst nightmare («Novocaine»).

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Но приведет ли эта храбрость к тому, чтобы смочь завести слушателей на своих выступлениях и запомнится им снова? Будет ли энергетика прежней?

По себе скажу, что в этот раз ребята не оставили у меня никаких эмоций, нет никакой особой энергетики в звучании композиций, которая присутствовала в ранних работах FOB.

Автор: Света Рейн

Дата выхода: 16 января 2015
Лейбл: Island

Треклист Fall Out Boy – American Beauty/American Psycho (2015):

01. Irresistible
02. American Beauty/American Psycho
03. Centuries
04. The Kids Aren’t Alright
05. Uma Thurman
06. Jet Pack Blues
07. Novocaine
08. Fourth of July
09. Favorite Record
10. Immortals
11. Twin Skeleton’s (Hotel in NYC)

Источник

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Начав карьеру в уже далеких 2000-х и сумев стать панк-иконами целого поколения, Fall Out Boy впервые решили рискнуть на альбоме «Folie A Deux», который не получил широкого отклика в сердцах слушателей, даже несмотря на весьма необычные коллаборации с другими артистами, а также поставив творчество группы в тупик, вследствие чего было принято решение взять творческий отпуск.

Александр Виленский, InterMedia

Mary Gu готовит большой осенний сольник

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Mary Gu выступит с большим осенним концертом на сцене клуба Adrenaline Stadium 21 октября 2022 года. В программе прозвучат как лучшие песни артистки, так и свежие номера.

– Трогательные, берущие за душу стихи и песни, яркие танцевальные хиты, искренность, харизма певицы и только живой звук – все это будет частью большого концерта, – обещают организаторы мероприятия.

Feed.fm и Fonmix выяснили, какие треки мотивируют любителей фитнеса

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Сервис Feed.fm, являющийся поставщиком музыкального контента для более чем 50 ведущих мировых фитнес-брендов, выяснил, под какую музыку люди предпочитают заниматься спортом и как она влияет на процесс.

Согласно исследованию, 93% опрашиваемых абсолютно уверены, что музыка способна сделать тренировку эффективнее. Любители йоги и силовых тренировок чаще всего выбирают даунтемпо и эмбиент-композиции, кардиотренировок – более энергичную, танцевальную музыку, EDM. Исследование показало также, что занятия спортом под музыку в среднем длятся в три раза дольше, чем без нее, а если в фитнес-клубе правильно подобрано аудиооформление, то посетители возвращаются в два раза чаще.

Самым востребованным стилем остается поп-музыка. Однако специалисты Feed.fm заметили, что люди, использующие тренажеры, также иногда слушают во время тренировок рок, любители уличного воркаута и пробежек – хип-хоп и инди-музыку малоизвестных исполнителей. В топе по популярности – Джастин Бибер, Lil Nas X и Doja Cat.

Авторы исследования советуют фитнес-клубам налаживать обратную связь с клиентами, периодически опрашивая их о музыкальных предпочтениях. Они также обнаружили, что на пользователей больше влияет не конкретное количество ударов в минуту, темп и ритм, как всегда принято было считать, а сама энергетика трека. Например, хип-хоп своим напором стимулирует выносливость, как и рок-музыка, а инди может создавать медитативное настроение во время бега. Если же говорить об идеальном рецепте подборки, то специалисты рекомендуют использовать от 75% уже знакомых до 25% новых композиций. По мнению исследователей, новинки, особенно в большом количестве, могут отвлекать человека и мешать ему эффективно тренироваться.

В России крупнейшей компанией по аудиобрендингу является Fonmix. Сервис в автоматическом режиме анализирует музыку по огромному количеству параметров – темп, ритмика, динамика и др. Опираясь на свой опыт, возможности искусственного интеллекта и Big Data, профессиональная музыкальная редакция создает индивидуальные подборки для решения конкретных задач – вызвать чувство спокойствия или наоборот, повысить уровень активности.

Так, для занятий спортом, по данным Fonmix, россияне предпочитают в основном зарубежные хиты. Несмотря на уход с российского рынка большой тройки иностранных лейблов (Warner Music, Universal Music и Sony Music), все договоры с ними продолжают действовать, а значит – принадлежащие им композиции будут и дальше звучать в фитнес-клубах.

Однако, согласно клиентским опросам и глобальному мониторингу, большой популярностью пользуется и качественная российская музыка, в основном – прогрессив-хаус: Andrey EXX, Anton Ishutin, DJ Svet, Slider & Magnit, Filatov & Karas. Исходя из этих данных, музыкальная редакция компании формирует плейлисты для фитнес-клубов, особенные для каждой зоны: кардиотренировок, силовых тренировок, фрешбаров, массажных кабинетов и других помещений.

Источник

American Beauty/American Psycho

[Chorus:]
She’s an American beauty
I’m an American psycho
She’s an American beauty
I’m an American
I’m an American
American Psycho
I’m an American
I’m an American
I’m, I’m, I’m an American psycho

[Verse 1:]
I think I fell in love again
Maybe I just took too much cough medicine
I’m the best worst thing that hasn’t happened to you yet
The best worst thing
You take the full, full truth, then you pour some out
You take the full, full truth, then you pour some out
And you can kill me, kill me
Or let God sort ‘em out
And you can kill me, kill me or

[Chorus:]
She’s an American beauty
I’m an American psycho
She’s an American beauty
I’m an American
I’m an American
American Psycho
I’m an American
I’m an American
I’m, I’m, I’m an American psycho

[Verse 2:]
I wish I dream in the shape of your mouth
But it’s your thread count I really care about
Stay up ’til the lights go out
Stay up, stay up
You take the full, full truth, then you pour some out
You take the full, full truth, then you pour some out
And as we’re drifting off to sleep
All those dirty thoughts of me
They were never yours to keep

[Chorus:]
She’s an American beauty
I’m an American psycho
She’s an American beauty
I’m an American
I’m an American
American Psycho
I’m an American
I’m an American
I’m, I’m, I’m an American psycho

Американская красавица/Американский психопат

[Припев:]
Она – американская красавица, (1)
А я – американский психопат. (2)
Она – американская красавица,
А я – американский,
Американский,
Американский психопат.
А я – американский,
Американский,
Американский психопат.

[Припев:]
Она – американская красавица,
А я – американский психопат.
Она – американская красавица,
А я – американский,
Американский,
Американский психопат.
А я – американский,
Американский,
Американский психопат.

[2 куплет:]
Я желаю, я мечтаю, чтобы ты округлила губки,
Но ещё больше меня заботит плотность твоей ткани.
Не спи, пока не погаснут огни.
Не спи, не спи!
Тебе даётся вся правда, а ты расплёскиваешь её.
Тебе даётся вся правда, а ты расплёскиваешь её.
Мы засыпаем,
А у тебя никогда не было
Грязных мыслей обо мне…

[Переход:]
Изменившиеся парни, изменившиеся парни.
Мы – вещи, разрушенные любовью.
(Я американский, я американский…)
Ты, я, мы, они…
Мы – просто воскресшие люди.
(Я американский, я американский…)
Мы были рядом, чтобы оживить тебя.
(Я американский, я американский…)
Мы занимались сексом из жалости, ни больше ни меньше.

[Припев:]
Она – американская красавица,
А я – американский психопат.
Она – американская красавица,
А я – американский,
Американский,
Американский психопат.
А я – американский,
Американский,
Американский психопат.

1 – Отсылка к оскароносному фильму Сэма Мендеса 1999 года American Beauty (в российском прокате – “Красота по-американски”).
2 – Отсылка к роману американского писателя Брета Истона Эллиса “Американский психопат”, в котором повествование ведётся от лица богатого жителя Манхэттена Патрика Бэйтмена, самопровозглашённого маньяка-убийцы.

Источник

Remember me for centuries

[Verse 1]
Mama, fight my teenage dreams
No it’s nothing wrong with me
The kids are all wrong the story’s aloof
Heavy metal broke my heart
Come on, come on and let me in
I’m cruising on your thighs, leave my fingerprints
And this is for tonight
I thought that you would feel
I never meant for you to fix yourself

[Chorus]
Some legends untold
Some turn to dust or to gold
But you will remember me, remember me for centuries
And just one mistake
Is all it will take, we’ll go down in history
Remember me for centuries

Remember me for centuries

[Verse 2]
And I can’t stop until the whole word knows my name
Cause I was only born inside my dreams
Until you die for me, as long as there is a light, my shadow is over you
Cause I am the opposite of amnesia
And you’re a cherry blossom
You’re about to bloom
You look so pretty, but you’re gone so soon

[Chorus]
Some legends untold
Some turn to dust or to gold
But you will remember me, remember me for centuries
And just one mistake
Is all it will take, we’ll go down in history
Remember me for centuries

Remember me for centuries

[Bridge]
We’ve been here forever
And here’s the frozen fruit
I could speak forever
We are the poisoned youth

[Chorus]
Some legends untold
Some turn to dust or to gold
But you will remember me, remember me for centuries
And just one mistake
Is all it will take, we’ll go down in history

Источник

American Beauty/American Psycho

From Wikipedia, the free encyclopedia

American Beauty/American Psycho (sometimes abbreviated as AB/AP) [5] is the sixth studio album by American rock band Fall Out Boy, released on January 16, 2015 through Island Records as the follow-up to the band’s comeback album Save Rock and Roll (2013). The band wrote music while on tour with Paramore mid-2014 and it developed into a new album.

The album’s release was preceded by the 4× Platinum top 10 lead single «Centuries», released September 9, 2014 while the album was still being completed. The album’s title track was released as the second single in the UK on December 15, 2014, receiving a radio premiere a month before on November 24, 2014. American Beauty/American Psycho debuted at No. 1 on the US Billboard 200 album chart, with 218,000 album-equivalent units in its first week alone and becoming the band’s third No. 1 album, [6] later being certified gold UK and Canada. On March 1, 2016, the album was certified platinum in the US for 1 million units. [7]

In support of the record, Fall Out Boy played at Soundwave in Australia, made TV appearances, and have embarked two concert tours: the American Beauty/American Psycho Tour, the Boys of Zummer Tour, and the Wintour. On October 30, a remix album entitled Make America Psycho Again was released with a different rapper on each song, which drew in over 13,000 equivalent copies in its debut week. [8]

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Источник

American Psycho

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Источник

Текст песни American Beauty/American Psycho

Перевод песни American Beauty/American Psycho

American Beauty/American Psycho

[Chorus:]
She’s an American beauty
I’m an American psycho
She’s an American beauty
I’m an American
I’m an American
American Psycho
I’m an American
I’m an American
I’m, I’m, I’m an American psycho

[Verse 1:]
I think I fell in love again
Maybe I just took too much cough medicine
I’m the best worst thing that hasn’t happened to you yet
The best worst thing
You take the full, full truth, then you pour some out
You take the full, full truth, then you pour some out
And you can kill me, kill me
Or let God sort ‘em out
And you can kill me, kill me or

[Chorus:]
She’s an American beauty
I’m an American psycho
She’s an American beauty
I’m an American
I’m an American
American Psycho
I’m an American
I’m an American
I’m, I’m, I’m an American psycho

[Verse 2:]
I wish I dream in the shape of your mouth
But it’s your thread count I really care about
Stay up ’til the lights go out
Stay up, stay up
You take the full, full truth, then you pour some out
You take the full, full truth, then you pour some out
And as we’re drifting off to sleep
All those dirty thoughts of me
They were never yours to keep

[Chorus:]
She’s an American beauty
I’m an American psycho
She’s an American beauty
I’m an American
I’m an American
American Psycho
I’m an American
I’m an American
I’m, I’m, I’m an American psycho

American Beauty/American Psycho

She’s an American Beauty
I’m an American Psycho
She’s an American Beauty
I’m an American
I’m an American
American Psycho

Whoa, whoa, whoaaaa
I’m an American
I’m an American
I’m I’m I’m an American Psycho

I think I-I fell in love again
Maybe I just took too much cough medicine
I’m the best worst thing that happened happened to you yet
The best, worst thing
Whoa, whoa

You take the full full truth and you pour some out
You take the full full truth and you pour some out
You can kill me kill me or let God sort them out
Kill me kill me or
Whoa, whoa

She’s an American Beauty
I’m an American Psycho
She’s an American Beauty
I’m an American
I’m an American
American Psycho

Whoa, hoa, whoaaaa
I’m an American
I’m an American
I’m I’m I’m an American Psycho

Whoa, whoa, whoaaaa
I’m an American
I’m an American
I’m I’m I’m an American Psycho

I wish I dreamt in the shape of your mouth
But it’s your thread count I really care about
Stay up till the lights go out
Stay up stay whoa whoa

You take the full full truth and you pour some out
You take the full full truth and you pour some out
And as we’re drifting off to sleep
All those dirty thoughts of me
They were never yours to keep
Whoa, whoa

She’s an American Beauty
I’m an American Psycho
She’s an American Beauty
I’m an American
I’m an American
American Psycho

Whoa, whoa, whoaaaa
I’m an American
I’m an American
I’m I’m I’m an American Psycho

Whoa, whoa, whoaaaa
I’m an American
I’m an American
I’m I’m I’m an American Psycho

Американская красавица/Американский психопат

[Припев:]
Она – американская красавица, (1)
А я – американский психопат. (2)
Она – американская красавица,
А я – американский,
Американский,
Американский психопат.
А я – американский,
Американский,
Американский психопат.

[Припев:]
Она – американская красавица,
А я – американский психопат.
Она – американская красавица,
А я – американский,
Американский,
Американский психопат.
А я – американский,
Американский,
Американский психопат.

[2 куплет:]
Я желаю, я мечтаю, чтобы ты округлила губки,
Но ещё больше меня заботит плотность твоей ткани.
Не спи, пока не погаснут огни.
Не спи, не спи!
Тебе даётся вся правда, а ты расплёскиваешь её.
Тебе даётся вся правда, а ты расплёскиваешь её.
Мы засыпаем,
А у тебя никогда не было
Грязных мыслей обо мне.

[Переход:]
Изменившиеся парни, изменившиеся парни.
Мы – вещи, разрушенные любовью.
(Я американский, я американский. )
Ты, я, мы, они.
Мы – просто воскресшие люди.
(Я американский, я американский. )
Мы были рядом, чтобы оживить тебя.
(Я американский, я американский. )
Мы занимались сексом из жалости, ни больше ни меньше.

[Припев:]
Она – американская красавица,
А я – американский психопат.
Она – американская красавица,
А я – американский,
Американский,
Американский психопат.
А я – американский,
Американский,
Американский психопат.

1 – Отсылка к оскароносному фильму Сэма Мендеса 1999 года American Beauty (в российском прокате – «Красота по-американски»).
2 – Отсылка к роману американского писателя Брета Истона Эллиса «Американский психопат», в котором повествование ведётся от лица богатого жителя Манхэттена Патрика Бэйтмена, самопровозглашённого маньяка-убийцы.

Красотка-американка/Американский безумец* (перевод Мария Кушнирук из Житомира)

Воу, воу, ооо,
Как психопат в кино,
Как психопат в кино
Я, я Американский безумец.

Вооу, вооу, ооо,
Как психопат в кино,
Как психопат в кино
Я, я Американский безумец.

Вооу, вооу, ооо,
Как психопат в кино,
Как психопат в кино
Я, я Американский безумец.

Хотел бы я быть таким же, как и ты,
Меня заботят лишь стандарты красоты.
Будь здесь, пока не гаснут огни,
Будь здесь, будь
Ооо, ооо.

Вооу, вооу, ооо,
Как психопат в кино,
Как психопат в кино
Я, я Американский безумец.

Вооу, вооу, ооо,
Как психопат в кино,
Как психопат в кино
Я, я Американский безумец.

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She’s an American beauty
I’m an American psycho
She’s an American beauty
I’m an American
I’m an American
American Psycho
I’m an American
I’m an American
I’m, I’m, I’m an American psycho

I think I fell in love again
Maybe I just took too much cough medicine
I’m the best worst thing that hasn’t happened to you yet
The best worst thing
You take the full, full truth, then you pour some out
You take the full, full truth, then you pour some out
And you can kill me, kill me
Or let God sort ‘em out
And you can kill me, kill me or

She’s an American beauty
I’m an American psycho
She’s an American beauty
I’m an American
I’m an American
American Psycho
I’m an American
I’m an American
I’m, I’m, I’m an American psycho

I wish I dream in the shape of your mouth
But it’s your thread count I really care about
Stay up ’til the lights go out
Stay up, stay up
You take the full, full truth, then you pour some out
You take the full, full truth, then you pour some out
And as we’re drifting off to sleep
All those dirty thoughts of me

They were never yours to keep

She’s an American beauty
I’m an American psycho
She’s an American beauty
I’m an American
I’m an American
American Psycho
I’m an American
I’m an American
I’m, I’m, I’m an American psycho

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Источник

Fall out boy american beauty american psycho. Fall Out Boy. Fall out boy american beauty american psycho фото. Fall out boy american beauty american psycho-Fall Out Boy. картинка Fall out boy american beauty american psycho. картинка Fall Out Boy. She's an American beauty I'm an American psycho She's an American beauty I'm an American, I'm an American American Psycho I'm an American, I'm an American I'm, I'm, I'm an American psycho

American Beauty/American Psycho

Перевод песни American Beauty/American Psycho

American Beauty/American Psycho

Chorus:]
She’s an American beauty
I’m an American psycho
She’s an American beauty
I’m an American
I’m an American
American Psycho
I’m an American
I’m an American
I’m, I’m, I’m an American psycho

[Verse 1:]
I think I fell in love again
Maybe I just took too much cough medicine
I’m the best worst thing that hasn’t happened to you yet
The best worst thing
You take the full, full truth, then you pour some out
You take the full, full truth, then you pour some out
And you can kill me, kill me
Or let God sort ‘em out
And you can kill me, kill me or

[Chorus:]
She’s an American beauty
I’m an American psycho
She’s an American beauty
I’m an American
I’m an American
American Psycho
I’m an American
I’m an American
I’m, I’m, I’m an American psycho

[Verse 2:]
I wish I dream in the shape of your mouth
But it’s your thread count I really care about
Stay up ’til the lights go out
Stay up, stay up
You take the full, full truth, then you pour some out
You take the full, full truth, then you pour some out
And as we’re drifting off to sleep
All those dirty thoughts of me
They were never yours to keep

[Chorus:]
She’s an American beauty
I’m an American psycho
She’s an American beauty
I’m an American
I’m an American
American Psycho
I’m an American
I’m an American
I’m, I’m, I’m an American psycho

Красотка по-американски/Американский психопат

Красотка по-американски/Американский психопат

[Припев:]
Она – американская красавица,
Я – американский психопат.
Она – американская красавица,
Я – американский,
Американский,
Американский психопат.
Я – американский,
Американский,
Американский психопат.

[Припев:]
Она – американская красавица,
Я – американский психопат.
Она – американская красавица,
Я – американский,
Американский,
Американский психопат.
Я – американский,
Американский,
Американский психопат.

[2 куплет:]
Я хочу, я мечтаю, чтобы ты надула губки,
Но ещё больше меня волнует твоя кожа.
Не спи, пока не погаснут огни.
Не спи, не спи.
Ты знаешь всю правду, но проливаешь её.
Ты знаешь всю правду, но проливаешь её.
Мы засыпаем,
Все эти грязные мысли обо мне,
Ты никогда не держала их в своей голове.

[Переход:]
Другие парни, другие парни.
Мы сломлены любовью.
(Я американский, я американский)
Ты, я, мы, они
Мы – просто воскресшие люди.
(Я американский, я американский)
Мы были рядом, чтобы воскресить тебя.
(Я американский, я американский)
Мы занимались сексом из жалости, ни больше ни меньше.

[Припев:]
Она – американская красавица,
Я – американский психопат.
Она – американская красавица,
Я – американский,
Американский,
Американский психопат.
Я – американский,
Американский,
Американский психопат.

Источник

American Beauty/American Psycho

[Chorus:]
She’s an American beauty
I’m an American psycho
She’s an American beauty
I’m an American
I’m an American
American Psycho
I’m an American
I’m an American
I’m, I’m, I’m an American psycho

[Verse 1:]
I think I fell in love again
Maybe I just took too much cough medicine
I’m the best worst thing that hasn’t happened to you yet
The best worst thing
You take the full, full truth, then you pour some out
You take the full, full truth, then you pour some out
And you can kill me, kill me
Or let God sort ‘em out
And you can kill me, kill me or

[Chorus:]
She’s an American beauty
I’m an American psycho
She’s an American beauty
I’m an American
I’m an American
American Psycho
I’m an American
I’m an American
I’m, I’m, I’m an American psycho

[Verse 2:]
I wish I dream in the shape of your mouth
But it’s your thread count I really care about
Stay up ’til the lights go out
Stay up, stay up
You take the full, full truth, then you pour some out
You take the full, full truth, then you pour some out
And as we’re drifting off to sleep
All those dirty thoughts of me
They were never yours to keep

[Chorus:]
She’s an American beauty
I’m an American psycho
She’s an American beauty
I’m an American
I’m an American
American Psycho
I’m an American
I’m an American
I’m, I’m, I’m an American psycho

American Beauty/American Psycho

She’s an American Beauty
I’m an American Psycho
She’s an American Beauty
I’m an American
I’m an American
American Psycho

Whoa, whoa, whoaaaa
I’m an American
I’m an American
I’m I’m I’m an American Psycho

I think I-I fell in love again
Maybe I just took too much cough medicine
I’m the best worst thing that happened happened to you yet
The best, worst thing
Whoa, whoa

You take the full full truth and you pour some out
You take the full full truth and you pour some out
You can kill me kill me or let God sort them out
Kill me kill me or
Whoa, whoa

She’s an American Beauty
I’m an American Psycho
She’s an American Beauty
I’m an American
I’m an American
American Psycho

Whoa, hoa, whoaaaa
I’m an American
I’m an American
I’m I’m I’m an American Psycho

Whoa, whoa, whoaaaa
I’m an American
I’m an American
I’m I’m I’m an American Psycho

I wish I dreamt in the shape of your mouth
But it’s your thread count I really care about
Stay up till the lights go out
Stay up stay whoa whoa

You take the full full truth and you pour some out
You take the full full truth and you pour some out
And as we’re drifting off to sleep
All those dirty thoughts of me
They were never yours to keep
Whoa, whoa

She’s an American Beauty
I’m an American Psycho
She’s an American Beauty
I’m an American
I’m an American
American Psycho

Whoa, whoa, whoaaaa
I’m an American
I’m an American
I’m I’m I’m an American Psycho

Whoa, whoa, whoaaaa
I’m an American
I’m an American
I’m I’m I’m an American PsychoАмериканская красавица/Американский психопат

[Припев:]
Она – американская красавица, (1)
А я – американский психопат. (2)
Она – американская красавица,
А я – американский,
Американский,
Американский психопат.
А я – американский,
Американский,
Американский психопат.

[Припев:]
Она – американская красавица,
А я – американский психопат.
Она – американская красавица,
А я – американский,
Американский,
Американский психопат.
А я – американский,
Американский,
Американский психопат.

[2 куплет:]
Я желаю, я мечтаю, чтобы ты округлила губки,
Но ещё больше меня заботит плотность твоей ткани.
Не спи, пока не погаснут огни.
Не спи, не спи!
Тебе даётся вся правда, а ты расплёскиваешь её.
Тебе даётся вся правда, а ты расплёскиваешь её.
Мы засыпаем,
А у тебя никогда не было
Грязных мыслей обо мне.

[Переход:]
Изменившиеся парни, изменившиеся парни.
Мы – вещи, разрушенные любовью.
(Я американский, я американский. )
Ты, я, мы, они.
Мы – просто воскресшие люди.
(Я американский, я американский. )
Мы были рядом, чтобы оживить тебя.
(Я американский, я американский. )
Мы занимались сексом из жалости, ни больше ни меньше.

[Припев:]
Она – американская красавица,
А я – американский психопат.
Она – американская красавица,
А я – американский,
Американский,
Американский психопат.
А я – американский,
Американский,
Американский психопат.

1 – Отсылка к оскароносному фильму Сэма Мендеса 1999 года American Beauty (в российском прокате – «Красота по-американски»).
2 – Отсылка к роману американского писателя Брета Истона Эллиса «Американский психопат», в котором повествование ведётся от лица богатого жителя Манхэттена Патрика Бэйтмена, самопровозглашённого маньяка-убийцы.

Красотка-американка/Американский безумец* (перевод Мария Кушнирук из Житомира)

Воу, воу, ооо,
Как психопат в кино,
Как психопат в кино
Я, я Американский безумец.

Вооу, вооу, ооо,
Как психопат в кино,
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Fall Out Boy

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Fall Out Boy is an American rock band formed in Wilmette, Illinois, a suburb of Chicago, in 2001. The band consists of vocalist and guitarist Patrick Stump, bassist Pete Wentz, guitarist Joe Trohman, and drummer Andy Hurley. The band originated from Chicago’s hardore punk scene, with which all members were involved at one point. The group was formed by Wentz and Trohman as a pop punk side project of the members’ respective hardcore bands, and Stump joined shortly thereafter. The group went through a succession of drummers before landing Hurley and recording the group’s debut album, Take This to Your Grave (2003). The album became an underground success and helped the band gain a dedicated fanbase through heavy touring, as well as some moderate commercial success. Take This to Your Grave has commonly been cited as an influential blueprint for pop punk music in the 2000s.

With Wentz as the band’s lyricist and Stump as the primary composer, the band’s 2005 major-label breakthrough, From Under the Cork Tree, produced two hit singles, «Sugar, We’re Goin Down» and «Dance, Dance» and went double platinum, transforming the group into superstars and making Wentz a celebrity and tabloid fixture. Fall Out Boy received a Best New Artist nomination at the 2006 Grammy Awards. The band’s 2007 follow-up, Infinity on High, landed at number one on the Billboard 200 with 260,000 first week sales. It produced two worldwide hit singles, «This Ain’t a Scene, It’s an Arms Race» and «Thnks fr th Mmrs.» Folie à Deux, the band’s fourth album, created a mixed response from fans and commercially undersold expectations. Following the release of Believers Never Die – Greatest Hits, the band took a hiatus from 2009 to 2012 to «decompress,» exploring various side projects. The band regrouped and recorded Save Rock and Roll (2013), which gave the band its second career number one and produced the 5x platinum top 20 single «My Songs Know What You Did in the Dark (Light Em Up).» The group’s sixth studio album, American Beauty/American Psycho (2015), released worldwide on Island Records, was preceded by the 4x Platinum top 10 hit «Centuries» and also spawned the 2x platinum single «Uma Thurman» which peaked at 22 on Hot 100. The album peaked at No. 1, making it the band’s third No. 1 album and the group’s fifth consecutive top 10 album.

Contents

History [ ]

2001-02: Early Years [ ]

Fall Out Boy was formed in 2001 in the Chicago suburb of Wilmette, Illinois by friends Pete Wentz and Joe Trohman. Wentz was a «visible fixture» of the relatively small Chicago hardcore punk scene of the late 1990s, performing in various groups such as Birthright, Extinction and First Born, as well the metalcore band Arma Angelus and the more political Racetraitor, «a band that managed to land the covers of Maximumrocknroll and Heartattackfanzines before releasing a single note of music.» Wentz was growing dissatisfied with the changing mores of the community, which he viewed as a transition from political activism to an emphasis on moshing and breakdowns. With enthusiasm in Arma Angelus waning, he created a pop punk side project with Trohman as an «easy and escapist» project. Trohman met Patrick Stump, then a drummer for grindcore band Xgrinding processXand a host of other bands that «never really managed,» at a Borders bookstore in Wilmette. While discussing Neurosis with a friend, Stump interrupted the conversation to correct their classification of the band in a conversation that soon shifted to the new band. Stump, viewing it as an opportunity to try out with «local hardcore celebrity» Wentz, directed Trohman to his MP3.com page, which contained sung-through acoustic recordings. Stump intended to try out as a drummer, but Trohman urged him to bring out his acoustic guitar; he impressed the duo with songs from Saves the Day’s Through Being Cool. While Wentz wanted Racetraitor bandmate Andy Hurley in the group as drummer, Hurley appeared uninterested and too busy.

The band’s first public performance came in a cafeteria at DePaul University alongside Stilwell and another group that performed Black Sabbath in its entirety. The band’s only performance with guitarist John Flamandan and original drummer Ben Rose was in retrospect described as «goofy» and «bad,» but Trohman made an active effort to make the band work, picking up members for practice. Wentz and Stump argued over band names; the former favored verbose, tongue-in-cheek names while the latter desired to reference Tom Waits in name. After creating a short list of names that included «Fall Out Boy,» a fictional character from The Simpsons and Bongo Comics, friends voted on the name. The band’s second performance, at a southern Illinois university with The Killing Tree, began with Wentz introducing the band under a name Stump recalled as «very long.» According to Stump, an audience member yelled out, «Fuck that, no, you’re Fall Out Boy!,» and the band were credited later in the show under that name by Killing Tree frontman Tim McIlrath. As the group looked up to McIlrath, and Trohman and Stump were «die-hard» Simpsons fans, the name stuck. The group’s first cassette tape demo was recorded in Rose’s basement, but the band later set off for Wisconsin to record a proper demo with 7 Angels 7 Plagues drummer Jared Logan, whom Wentz knew through connections in the hardcore scene.

Several more members passed through the group, including drummer Mike Pareskuwicz of Subsist and guitarist T.J. «Racine» Kunasch. While Stump at this point felt uninterested in the group, Wentz was, according to Uprising Records owner Sean Muttaqi, viewing the group as «the thing that would make him famous. He had a clear vision.» Wentz was «singularly focused on taking things to the next level,» and threw the band into promotion via early social media. Muttaqi got word of the demo and wanted to release half of it as a split extended play with Hurley’s band Project Rocket, which the band viewed as competition. Uprising desired to release an album with the emerging band, which to that point had only written three songs. With the help of Logan, the group attempted to put together a collection of songs in two days, and recorded them as Fall Out Boy’s Evening Out with Your Girlfriend. The rushed recording experience and underdeveloped songs left the band discontent. When the band set off to Smart Studios in Madison, Wisconsin to record three songs for a possible split 7-inch with 504 Plan, engineer Sean O’Keefe suggested the band record the trio with Hurley. Hurley was also recording an EP with his new group the Kill Pill in Chicago the same day, but raced to Madison to lay down drums for Fall Out Boy. «It was still a fill-in thing but when Andy sat in, it just felt different. It was one of those «a-ha» moments,» recalled Wentz.

2003-04: Early success and Take This to Your Grave [ ]

The band booked a two-week tour with Spitalfield, but Pareskuwicz was unable to get time off from work and Kunasch was kicked out of the band as the group «had all gotten sick of him.» Kunasch was temporarily replaced by friend Brandon Hamm on guitar, alongside drummer Chris Envy from the recently disbanded Showoff, but both quit prior to the kickoff of the tour. The band invited Hurley instead to fill-in once more, while Stump borrowed one of Trohman’s guitars for the trek. While most shows were cancelled, the band played any show possible: «Let’s just get on whatever show we can. You can pay us in pizza,» remembered Wentz. As the tour concluded, the general consensus was that Hurley would be the band’s new drummer, and the band began to shop around the three songs from the group’s unreleased split as a demo to record labels. The band members set their sights on pop punk labels, and attempted with considerable effort to join Drive-Thru Records. A showcase for label co-founders went largely mediocre, and the band were offered to sign to side label Rushmore, an offer that the members of the band declined. They got particularly far in discussions with The Militia Group and Victory Records, and Bob McLynn of Crush Management became the band’s first manager. The band re-entered the studio with O’Keefe to record several more tracks to create label interest. Wentz felt «in the backseat» in writing the songs and temporarily questioned his place in the group, but Stump argued in his favor: «No! That’s not fair! Don’t leave me with this band! Don’t make me kind of like this band and then leave it! That’s bullshit!»

The band’s early tour vehicle was a «tiny V6 that was running on three cylinders, and it was not getting enough air, so it would drive really slowly,» recalled Wentz. «We had to turn on the hot air to reach the speed limit, so we had the heat on all the time in 120 degree weather. It was so hot it melted the plastic molding around the windows. When it rained, we’d get all wet.» John Janick of Fueled by Ramen had heard an early version of a song online and cold-called the band members at their apartment, first reaching Stump and later talking to Wentz for an hour. Rob Stevenson from Island Records eventually offered the band a «first-ever incubator sort of deal,» in which they gave the band money to sign with Fueled by Ramen for the group’s one-off debut, knowing they could «upstream» the band to radio on the sophomore record. Fueled by Ramen, at the time the smallest of independent labels clamoring to sign the band, would effectively release the group’s debut album and help build the band’s ever-expanding fanbase before the group moved to Island. The band again partnered with O’Keefe at Smart Studios, bringing together the three songs from the demo and recording an additional seven songs in nine days. The band, according to Stump, didn’t «sleep anywhere that we could shower [. ] There was a girl that Andy’s girlfriend at the time went to school with who let us sleep on her floor, but we’d be there for maybe four hours at a time. It was crazy.» As the band progressed and the members’ roles became more defined, Wentz took lyrics extremely seriously in contrast to Stump, who had been the group’s primary lyricist up to that point. Arguments during the recording sessions led to what «most reductively boils down to Wentz writing the lyrics and Stump writing the melodies.»

The band’s debut album, Take This to Your Grave, was issued by Fueled by Ramen in May 2003. Previously, one of the band’s earliest recordings, Evening Out with Your Girlfriend, had not seen release until shortly before Grave in March 2003, when the band had gained considerable momentum. «Our record was something being rushed out to help generate some interest, but that interest was building before we could even get the record out,» said Sean Muttaqi. The band actively tried to stop Uprising from releasing the recordings (as the band’s relationship with Muttaqi had grown sour), as the band viewed it as a «giant piece of garbage» recorded before Hurley’s involvement that the band members ceased to consider the debut album of the group. Gradually, the band’s fanbase grew in size as the label pushed for the album’s mainstream success. According to Wentz, shows began to end in a near-riot and the group were banned from several venues because the entire crowd would end up onstage. The band gained positive reviews for subsequent gigs at South by Southwest (SXSW) and various tour appearances. The band joined the Warped Tour for five dates in the summer of 2004, and on one date the band had only performed three songs when the stage collapsed due to the large crowd. The band graced the cover of the August 2004 edition of Alternative Press, and listening stations at Hot Topic partially helped the album move 2,000-3,000 copies per week by Christmas 2004, at which point the label considered the band «tipping» into mainstream success.

2005–06: From Under the Cork Tree [ ]

The band had been flooded with «hyperbolic praise,» and deemed «the next big thing» by multiple media outlets. Before recording the follow-up to its debut, the band released the acoustic EP/DVD My Heart Will Always Be the B-Side to My Tongue. The EP was the band’s first charting on the Billboard 200 at number 153. From Under the Cork Tree was recorded in Burbank, California, and served as the first time the band had stayed in California for an extended period of time. The group lived in corporate housing during the making of the album. In contrast to Take This to Your Grave’s rushed recording schedule, Fall Out Boy took a much more gradual pace while working on From Under the Cork Tree. It was the first Fall Out Boy record in which Stump created all the music and Wentz wrote all the lyrics, continuing the approach they took for some songs on Grave. Stump felt that this process was much more «smooth» as every member was able to focus on his individual strengths. He explained: «We haven’t had any of those moments when I play the music and he’ll say, ‘I don’t like that,’ and he’ll read me lyrics and I’ll say, ‘I don’t like those lyrics.’ It’s very natural and fun.» Despite this, the band had great difficulty creating its desired sound for the album, constantly scrapping new material. Two weeks before recording sessions began, the group abandoned ten songs and wrote eight more, including the album’s first single, «Sugar, We’re Goin Down.»

The band suffered a setback, however, when Wentz had an emotional breakdown in February 2005, culminating in an unsuccessful suicide attempt. He had withdrawn from the rest of the group, with his condition only apparent through his lyrics, and had also become obsessed with the recent Indian tsunami and his own self-doubt. «It is particularly overwhelming when you are on the cusp of doing something very big and thinking that it will be a big flop,» he said later. Wentz swallowed a handful of Ativan anxiety pills (he described the act as «hypermedicating») in the Chicago Best Buy parking lot. After being rushed to the hospital and having his stomach pumped, Wentz moved back home to Wilmette to live with his parents.

From Under the Cork Tree debuted and peaked at number nine on the Billboard 200 upon its May 2005 release. It was spearheaded by the band’s breakthrough single, «Sugar, We’re Goin Down,» reached number eight in the US Billboard Hot 100 in September 2005, and in the UK chart in February 2006, crossing over from Alternative to Pop radio. «Dance, Dance,» the album’s second single, also was a top ten hit in the United States and was certified 3x Platinum in 2014. The record’s success led to stardom among teenagers in North America, and the band’s first arena tour had the group playing to 10,000 people per night. Rolling Stone wrote that the band’s «anthems,» distributed and marketed through their MySpace, connected with «skinny-jeans-wearing teen girls.» In support of From Under the Cork Tree, the band toured exhaustively with international tours, TRL visits, late-night television appearances and music award shows. The band performed at music festivals in 2005 and 2006, including the third Nintendo Fusion Tour in the fall of 2005, joining The Starting Line, Motion City Soundtrack, Boys Night Out, and Panic! at the Disco on a 31 city tour. The album earned the band a Grammy nomination for Best New Artist, and has sold over 2.7 million copies in the United States, becoming the group’s best-selling album. «Sugar, We’re Goin Down» also won the band an MTV Music Video Award.

2007: Infinity on High [ ]

In the wake of the band’s multiplatinum success, the «especially extroverted» Wentz became the most publicly visible member of the band. He confided to the press his suicide attempt and nude photos of the bassist appeared on the Internet in 2006. He gained additional exposure through his clothing line, his Decaydance record label (an imprint of Fueled by Ramen), and eventually a celebrity relationship with pop singer Ashlee Simpson, which made the two tabloid fixtures in the United States. Due to its increased success from the group’s MTV Video Music Award, the group headlined the Black Clouds and Underdogs Tour, a pop punk event that featured The All-American Rejects, Well-Known Secret, Hawthorne Heights, and From First to Last. The tour also featured The Hush Sound for half of the tour and October Fall for half. The band played to 53 dates in the US, Canada, and the UK.

After taking a two-month-long break following the band’s Black Clouds and Underdogs tour in promotion of the band’s 2005 album From Under the Cork Tree, Fall Out Boy returned to the studio to begin work on a follow-up effort. The band began writing songs for the new album while touring, and intended to quickly make a new album in order to keep momentum in the wake of its breakthrough success. In early 2007, the group released its fourth studio album, Infinity on High, which was the band’s second release on major label Island. The album marked a departure in Fall Out Boy’s sound in which the band implemented a diverse array of musical styles including funk, R&B, and flamenco. As reported by Billboard, Fall Out Boy «drifts further from its hardcore punk roots to write increasingly accessible pop tunes,» a slight departure from the group’s previous more pop punk sound predominant on their 2003 effort, Take This to Your Grave.

Infinity‘s first week was a major success and was the band’s biggest selling week, selling 260,000 copies to debut at No. 1 on the US Billboard 200 and inside the top five worldwide. This charting was first started with lead single «The Carpal Tunnel of Love», with minor success on the Billboard charts. This success was bolstered by the further-successful second single «This Ain’t a Scene, It’s an Arms Race», which reached No. 2 in both the US and UK as well as the top five in many other countries. On the band’s decision to pick the song as a single, Wentz commented «There may be other songs on the record that would be bigger radio hits, but this one had the right message.» «Thnks fr th Mmrs», the third single, peaked just outside the top 10 at No. 11 on the strength of sales and popular radio play, and went on to sell over two million copies in the US. It found its greatest success in Australia where it charted at No. 3. In 2007, Fall Out Boy placed at No. 9 in the Top Selling Digital Artists chart with 4,423,000 digital tracks sold, according to Nielsen SoundScan. The album itself has sold over two million copies worldwide and subsequently was certified Platinum in the United States.

Fall Out Boy then headlined the 2007 Honda Civic Tour to promote the album. Though the tour was initially postponed due to personal issues, it would take place with +44, Cobra Starship, The Academy Is. and Paul Wallas supporting acts. The band also headlined the Young Wild Things Tour, an international arena tour featuring Gym Class Heroes, Plain White T’s and Cute Is What We Aim For. Inspired by Maurice Sendak’s 1963 children’s book Where the Wild Things Are, the concert tour and included sets designed by artist Rob Dobi containing images from the book. The band’s «hugely successful» amphitheater tour to promote Infinity led to the release of the 2008 live album Live in Phoenix, consisting of live material recorded during a June 22, 2007, concert at Phoenix’s Cricket Wireless Pavilion, a date of the Honda Civic Tour. The disc also a studio cover of Michael Jackson’s «Beat It», with guitarist John Mayer guesting for a guitar solo. The track was released as a single and became a mainstay on the iTunes top ten.

2008–09: Folie à Deux [ ]

The band members decided to keep publicity down during the recording of their fourth album, as the group was taken aback by such press surrounding Infinity on High. Sessions proved to be difficult for the band. Stump called the making of the album «painful», noting that he and Wentz quarreled over many issues, revealing «I threw something across the room over a major-to-minor progression.» On previous albums, Trohman felt he and Hurley did not have enough musical freedom and that Stump and Wentz exerted too much control over the group: «I felt, ‘Man, this isn’t my band anymore.’ It’s no one’s fault, and I don’t want to make it seem that way. It was more of a complex I developed based off of stuff I was reading. It’s hard to hear, ‘Joe and Andy are just along for the ride.'» To amend the situation, Trohman sat down with Stump to communicate his concerns, which led to more collaboration on Folie à Deux. «It made me feel like I owned the songs a lot more. It made me really excited about contributing to Fall Out Boy and made me find my role in the band,» Trohman recalled.

As the release of the new album approached, the band and its management found that they would have to navigate changes in the music industry, facing declining record sales, the lack of a proper outlet for exhibition of music videos, and the burgeoning US economic crisis. To promote the album, Wentz launched a viral campaign in August 2008, inspired by George Orwell’s novel Nineteen Eighty-Four (1949), and the autocratic, overbearing Big Brother organization. Folie à Deux, released in December 2008, did not perform as well commercially as its predecessor, Infinity on High. It debuted at number eight on the US Billboard 200 chart with first week sales of 150,000 copies during a highly competitive week with other big debuts, becoming Fall Out Boy’s third consecutive top ten album. This is in contrast to the band’s more successful previous effort which shifted 260,000 copies in its opening week to debut at number one the chart. Folie spent two weeks within the top 20 out of its 22 chart weeks. It also entered Billboard‘s Rock Albums and Alternative Albums charts at number three. Within two months of its release, Folie à Deux was certified Gold in the United States by the Recording Industry Association of America (RIAA), denoting shipments of 500,000 copies. The lead single, «I Don’t Care», reached a peak at number twenty-one on the Billboard Hot 100, and was certified Platinum by the RIAA for shipments of one million copies.

Rumors and misquotes led to confusion as to what such a break truly meant; Wentz preferred to not refer to the break as a «hiatus,» instead explaining that the band was just «decompressing.» Fall Out Boy played its last show at Madison Square Garden on October 4, 2009. Near the end, Blink-182’s Mark Hoppus shaved Wentz’s head in a move Rolling Stone would later describe as a «symbolic cleansing of the past, but also the beginning of a very dark chapter for the band.»

2010–12: Hiatus and solo careers [ ]

By the time the break began, Stump was the heaviest he had ever been and loathed the band’s image as an «emo» band. Coming home from tour, drummer Andy Hurley «went through the darkest depression [I’ve] ever felt. I looked at my calendar and it was just empty.» Wentz, who had been abusing Xanax and Klonopin, was divorced by his wife Ashlee Simpson and returned to therapy. «I’d basically gone from being the guy in Fall Out Boy to being the guy who, like, hangs out all day,» Wentz recalled. Previously known as the «overexposed, despised» leader of the band, Wentz «simply grew up,» sharing custody of his son and embracing maturity: «There was a jump-cut in my life. I started thinking – like, being old would be cool.»

During the hiatus, the band members each pursued individual musical interests, which were met with «varying degrees of failure.» Stump was the only member of the quartet to take on a solo project while Fall Out Boy was on hiatus, recording debut album Soul Punk entirely on his own: he wrote, produced, and played every instrument for all tracks on the record. In addition, he married his longtime girlfriend and lost over sixty pounds through portion control and exercise. Stump blew through most of his savings putting together a large band to tour behind Soul Punk, but ticket sales were sparse and the album stalled commercially. During a particularly dark moment in February 2012, Stump poured his heart out in a 1500-word blog entry called «We Liked You Better Fat: Confessions of a Pariah.» In the post, Stump lamented the harsh reception of the record and his status as a «has-been» at 27. Stump revealed that fans harassed him on his solo tour, hurling insults such as «We liked you better fat,» and noted that «Whatever notoriety Fall Out Boy used to have prevents me from having the ability to start over from the bottom again.» Aside from Soul Punk and personal developments, Stump moonlighted as a professional songwriter/producer, co-writing tracks with Bruno Mars and All Time Low, and pursued acting.

2013–14: Reformation and Save Rock and Roll [ ]

The band members’ main goal was to reinvent the group’s sound from scratch, creating what Trohman called a «reimagining of the band,» which focuses more on pop. Sessions were not without difficulties, as the band struggled initially to produce new material. Walker had doubts about the band’s volatility, feeling the record would not get made following «meltdown after meltdown.» The entire album was recorded in secrecy from the music industry, critics, and fans of the band. While specifically denying that the group’s announcement was a reunion because «[the group had] never broke[n] up», the band announced a reunion tour and details of Save Rock and Roll on February 4, 2013. The quartet’s announcement included a photo of the group that had been taken earlier that morning of the band members huddled around a bonfire tossing copies of their back catalog into flames at the original location of Comiskey Park, the location of 1979’s Disco Demolition Night, a baseball promotional event which involved destroying disco records. A message on the group’s website read «when we were kids the only thing that got us through most days was music. It’s why we started Fall Out Boy in the first place. This isn’t a reunion because we never broke up. We needed to plug back in and make some music that matters to us. The future of Fall Out Boy starts now. Save rock and roll. » Save Rock and Roll debuted at number one on the Billboard 200 chart, with first week sales of 154,000 copies in the United States, according to Nielsen SoundScan. The arrival of Save Rock and Roll posted the quartet’s third-biggest sales week, and earned the group’s second career number one on the chart. The band’s chart success was best described as unexpected by music journalists. Rolling Stone called the band’s comeback a «rather stunning renaissance», and Entertainment Weekly called the number one a «major accomplishment for a band whom many in the industry had dismissed as kings of a genre whose time had passed.»

The record’s lead single, «My Songs Know What You Did in the Dark (Light Em Up)», peaked at number 13 on the Billboard Hot 100, marking the band’s first top twenty single since the group’s 2008 cover of Michael Jackson’s «Beat It». It was certified 3x Platinum in the US for over 3 million sales. Inspired in part by Daft Punk’s Interstella 5555: The 5tory of the 5ecret 5tar 5ystem, the band released a music video for every song on the album in a series titled The Young Blood Chronicles between February 2013 and May 2014. The band also released a hardcore punk-influenced EP, PAX AM Days, in late 2013. Fall Out Boy covered Elton John’s (who was featured on the Save Rock And Roll title track) song «Saturday Night’s Alright for Fighting» for inclusion in the fortieth anniversary re-release edition of Goodbye Yellow Brick Road on March 25, 2014, alongside covers by different artists.

Fall Out Boy headlined Save Rock And Roll tours (including US, Australian and European legs) and played at music festivals around the world for one and a half years. The group co-headlined Monumentour with Paramore in North America to close the Save Rock And Roll era.

2014–2015: American Beauty/American Psycho [ ]

On June 2, 2014, Wentz stated that he and Stump were writing new music: «We’re writing. I was just listening to something Patrick had written in the trailer. So we’re writing, finishing out the album cycle in South Africa in September.» In a later interview with Rock Sound regarding the status of the album, Wentz commented «We don’t have an exact timetable yet. I have a two-week old son and Patrick has a baby on the way in October, so there’s a lot going on.» as well as stating a rough release time as early 2015. In December 2014 the band played radio-sponsored Christmas shows, including KROQ’s Almost Acoustic Christmas.

On November 24, 2014, the title of Fall Out Boy’s sixth studio album was announced as American Beauty/American Psycho; the album was released on January 20, 2015. The album’s title track premiered on BBC Radio 1 in the UK along with the album’s title reveal. American Beauty/American Psycho debuted at No. 1 on the US Billboard 200with 192,000 first week sales and 218,000 equivalent album units, becoming Fall Out Boy’s third No. 1 album. The band played two small venue release shows in January 2015, in London and Chicago. American Beauty/American Psycho was certified platinum in the US on March 1, 2016, after selling 1 millions units. From February through March, the band played at the Australian Soundwave festival for the first time, with two additional side shows in Sydney and Brisbane.

Fall Out Boy inducted Green Day into the Rock and Roll Hall of Fame on April 18, 2015. On May 18, the group performed its song «Uma Thurman» with Wiz Khalifa on the 2015 Billboard Music Awards. In June–August 2015, Fall Out Boy began touring across the United States with Wiz Khalifa, Hoodie Allen, and MAX on the «The Boys of Zummer Tour».

On October 1, 2015, the «American Beauty/American Psycho» European tour kicked off in Dublin, Ireland, and consisted of 12 dates with shows in the UK, Russia, and Europe. On May 24, 2015 it was announced English rapper Professor Green would support Fall Out Boy on the 8-date leg of the band’s UK tour. New York baseddance-duo Matt and Kim were added as additional support for the UK tour. On October 23, 2015, Fall Out Boy announced via Twitter the release of a re-worked version of its sixth studio album, Make America Psycho Again. The remix album features a remade version of each track from the original record, each featuring a different rapper. The album was released on October 30, 2015. It included the version of «Uma Thurman» featuring Wiz Khalifa which had been originally performed at the Billboard Music Awards. On March 1, 2016, it was announced Fall Out Boy are to headline Reading and Leeds Festivals in the UK in August 2016 along with Biffy Clyro.

2018–Present: M A N I A [ ]

After the commercial success of American Beauty/American Psycho, Fall Out Boy decided to record material for a seventh studio album. The beginning of Mania’s production began after Stump introduced the future leading single «Young and Menace» to Wentz at Reading and Leeds Festival in 2016, which inspired both of them to record a complete song.

On November 6, 2017, Fall Out Boy announced on social media that the album was completed and released the track listing. The band started their MANIA tour in October 2017, which features blackbear, Jaden Smith, and WAAX. The singles on the album are Young and Menace, Champion, The Last of The Real Ones, Hold Me Tight or Don’t, and Wilson (Expensive Mistakes).

MANIA was released on January 19, 2018.The album received mixed reviews from music critics. Metacritic gave this album a 60/100, giving mixed or average reviews. MANIA debuted at number one on the US Billboard 200 on February 3, 2018 with 130,000 album equivalent units, 117,000 were pure album sales. This album is Fall Out Boy’s fourth US number-one album.

Musical style and influences [ ]

While widely considered to be a pop punk band, Fall Out Boy has also been described as pop rock emo, and emo pop, and cites emo group The Get Up Kids as an influence among many other bands. When interviewed for a retrospective article in Alternative Press at the time The Get Up Kids disbanded in 2005, Pete Wentz stated that «Fall Out Boy would not be a band if it were not for The Get Up Kids.» Early in the band’s career, when Jared Logan was producing the group’s debut album, he asked bassist Pete Wentz what sound the band desired for recording. Wentz responded by «handing over the first two New Found Glory records». Wentz also cites Green Day, the Ramones, Screeching Weasel, Metallica, Earth Crisis, Gorilla Biscuits and Lifetime as influences. The band acknowledges its hardcore punk roots as an influence; all four members were involved in the Chicago hardcore scene before joining Fall Out Boy. Wentz described the band’s affiliation with the genre by saying «I think the interesting thing is that we are all hardcore kids that are writing pop music. It gives us a different style because at our core we are always hardcore. That aspect is always going to be evident in the music. We are hardcore kids that couldn’t quite cut it as hardcore kids.» He referred to Fall Out Boy’s genre as «softcore»: hardcore punk mixed with pop sensibility. Lead singer Patrick Stump, however, is also influenced by artists he listened to while growing up including Prince, Michael Jackson, and David Bowie.

Fall Out Boy’s albums Take This to Your Grave and From Under the Cork Tree are both said to have pop punk as well as punk rock sounds and influences, and Infinity on High features a wide range of styles and instrumentation, including orchestral arrangements («Thnks fr th Mmrs») and a slower piano ballad («Golden»). R&B influences on Infinity on High are on songs such as «This Ain’t a Scene, It’s an Arms Race» and two of the album’s tracks are produced by R&B singer/producer Babyface. On Folie à Deux, the group continues to evolve its sound, with less of a pop punk sound and increasing the use of piano (such as «What a Catch, Donnie», » Headfirst Slide into Cooperstown on a Bad Bet «, and «20 Dollar Nose Bleed»), synthesizers, and guest artists. The band also shows a number of influences, with «Disloyal Order of Water Buffaloes» borrowing a chord sequence from The Who song «Baba O’Riley». The group has worked with many producers and artists, including The Neptunes, Timbaland, Ryan Adams, Lil Wayne and Kanye West, the latter of which Patrick Stump described as «the Prince of his generation.»

A central part of Fall Out Boy’s sound is rooted in the band’s lyrics, mainly penned by bassist Pete Wentz, who commonly uses irony and other literary devices to narrate personal experience and stories. Wentz stated, «I write about what I’m going through most of the time, or what I imagine people are going through most of the time.» He draws inspiration from authors such as Charles Bukowski, Ernest Hemingway, and JT LeRoy, as well as rappers such as Lil Wayne, who he described as his primary influence while writing Infinity on High. On Fall Out Boy’s earlier works, Wentz wrote primarily about love and heartbreak. Themes addressed on From Under the Cork Tree include narcissism and megalomania, while many tracks on Infinity on High discuss the ups and downs of fame. While writing Folie à Deux, he explored moral dilemmas and societal shortcomings, as well as concepts such as trust, infidelity, responsibility, and commitment. While the album does contain political overtones, the band wanted to avoid being overt about these themes, leaving many lyrics open to interpretation for listeners.

Legacy [ ]

The Fall Out Boy band members were the first inductees to the «Hall of Wood» at the 2015 MtvU Woodie Awardsand performed a medley of five songs at the ceremony. This honor is given to artists who have used MTV Woodie Awards as a «launching pad» in achieving chart topping success within their musical careers, thus influencing up and coming bands. The award also recognizes bands “sticking to their roots” and “maintaining their loyal fan base.” The group had won the Woodie Award for Streaming for «Grand Theft Autumn» at the first ceremony in 2004.

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